- Women's measurements
- Big Mac
- Brain membranes
- The Number Three in American Culture
- Nina, Pinta, and the Santa Maria
- Three Furies
- Pythagoras - three is the perfect number
- How many triangles?
- Trinity symbol
- Simon Cowell: You Never Want The People That You Work With To Do Well
- Threes.com featured on the BBC2
- id, ego, superego
- Third Eye - Pineal Gland
- Featured Article - Allen H. Merriam
- Empirical rule - The 68-95-99.7 Rule
- Three Foil Cross
- Three Baskets
- Bible threes
|Art - Design|
There were three periods to the Bolognese School in painting—the Early, the Roman, and the Eclectic. The first was founded by Marco Zoppo, in the fifteenth century, and its best exponent was Francia. The second was founded in the sixteenth century by Bagnacavallo, and its chief exponents were Primatic’io, Tibaldi, and Nicolo dell’ Aba’te. The third was founded by the Carracci, at the close of the sixteenth century, and its best masters have been Domenichi’no, Lanfranco, Guido, Schido’ne, Guerci’no, and Alba’ni.
Works produced and theories expounded by the Academy of the Progressives, founded in Bologna 1582 by Lodovico, Agostino, and Annibale Carracci. In reaction against Mannerism, they advocated drawing directly from life. Among their leading students were Domenichino and Guido Reni. Their clear, simple pictures accorded well with the artistic demands of the Counter-Reformation, which wanted works of art to be immediately comprehensible. What began as a regional movement became one of the most influential forces in 17th-century art.
I was happy she got it and I have to sort of - and one of the reasons I did Third Watch is because I wanted to break that thing of just being the pretty girl and play it down and let it be about the work.
|Mr. Kelsey's efforts are an interesting exploration into the threes phenomena as elucidating the need for adopting a comprehensive and comprehensible program-in-development criteria, the many facets of which are in the making. His amazing work is at http://www.triplicity.org.|