- Women's measurements
- Big Mac
- Brain membranes
- The Number Three in American Culture
- Nina, Pinta, and the Santa Maria
- Three Furies
- Pythagoras - three is the perfect number
- Trinity symbol
- How many triangles?
- Simon Cowell: You Never Want The People That You Work With To Do Well
- Threes.com featured on the BBC2
- id, ego, superego
- Third Eye - Pineal Gland
- Featured Article - Allen H. Merriam
- Empirical rule - The 68-95-99.7 Rule
- Three Foil Cross
- Three Baskets
- Bible threes
|Art - Design|
Harmony can be defined as a pleasing arrangement of parts, whether it be music, poetry, color, or even an ice cream sundae.
In visual experiences, harmony is something that is pleasing to the eye. It engages the viewer and it creates an inner sense of order, a balance in the visual experience. When something is not harmonious, it's either boring or chaotic. At one extreme is a visual experience that is so bland that the viewer is not engaged.
The human brain will reject under-stimulating information. At the other extreme is a visual experience that is so overdone, so chaotic that the viewer can't stand to look at it. The human brain rejects what it can not organize, what it can not understand. The visual task requires that we present a logical structure. Color harmony delivers visual interest and a sense of order.
In summary, extreme unity leads to under-stimulation, extreme complexity leads to over-stimulation. Harmony is a dynamic equilibrium.
Conformism is so hot on the heels of the mass-produced avant-garde that the 'ins' and 'outs' change places with the speed of mach three.
|Herb O Buckand has an enormous interest in the structure of threes and has been collecting and examining these concepts for years. He has an exciting website for his Threseology Research Journal located at http://www.threesology.org. Here he delves into concepts in threes in many different areas. He is a true generalist.|